What democracy’s future shouldn’t be — Utopia or Dystopia
October 2, 2016 20:26
As William Gibson has famously pointed out, the job of the science fiction writer is not to predict the future but to construct one plausible version of it from the pieces already laying around. I assume that Malka Older was trying to do this deliberately low key Gibsonian thing with her novel Infomacracy, but given […]
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Pedro Paulo agradece Paes e sinaliza que não deverá apoiar ninguém no 2º turno — Extra Online –
October 2, 2016 20:25
RIO – Após a derrota, o candidato do PMDB à prefeitura, Pedro Paulo agradeceu ao prefeito Eduardo Paes, aos partidos da coligação e sinalizou que não deverá apoiar nenhum dos candidatos que passaram para o segundo turno, Marcelo Crivella (PRB) e…Leia mais
via Pedro Paulo agradece Paes e sinaliza que não deverá apoiar ninguém no 2º turno — Extra Online –
“Never left to lose” — johncoyote
October 2, 2016 20:24
Never left to lose A Poem by Coyote Poetry Just words, photo and song. I lay in the silence of deadening silence. All dreams dead and buried when you left me alone. You were my savior and my killer. I remember the first kisses, drinking and smoking cigars. We laughed at life and tomorrow was […]
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EL GOBIERNO “PROGRESISTA” DE TSIPRAS, PRIVATIZA EL AGUA, LA ELECTRICIDAD Y EL METRO — EL BLOG DE CARLOS
October 2, 2016 19:53
El Parlamento griego aprobó con 152 votos a favor y 141 en contra la nueva ley ‘ómnibus’. Una ley que ampara la privatización de la compañía de aguas de Atenas y Tesalónica, de la corporación pública de electricidad, de la industria de vehículos helena y del Metro de Atenas. Estas compañías públicas pasarán al “superfondo […]
How to write emotions and feelings — Nail Your Novel
October 2, 2016 17:15
I’ve had a request from EJ Runyon (who you might recognise as an Undercover Soundtrack contributor). She’s asked me, quite simply, to talk about writing emotions and feelings. Emotions and feelings are the nucleus of a story. The whizziest plot events will have nil impact unless they matter to a character – and to us. […]
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