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3 de Abril de 2011, 21:00 , por Desconhecido - | No one following this article yet.

Diving Santorini

9 de Maio de 2017, 13:00, por O LADO ESCURO DA LUA


Por amor a los clásicos – Booktag

9 de Maio de 2017, 13:00, por O LADO ESCURO DA LUA

Despeinada por los libros

1. ¿Por qué lees clásicos y con qué frecuencia?

Tengo muchas razones para leer clásicos. De hecho, escribí un post titulado 10 motivos para leer clásicos en el blog. Pero si me tuviera que decantar por uno sin duda sería el de la supervivencia. Que una obra la respalde una campaña de marketing abusiva me genera mucha cierta desconfianza. Prefiero que sean los años los que den su lugar a los libros.

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Sé, por otro lado, que me puedo perder joyas de la literatura contemporánea. Pero dentro de mi ansia, lidio mejor con perderme algo actual que con algún clásico que tenga muchas ganas de leer.

En cuanto a la frecuencia se podría decir que el 80% de mi tiempo de lectura está dedicada a clásicos. Eligiendo muy bien (o intentándolo al menos) ese 20% de contemporánea, que intercalo en lecturas más densas.

2. ¿Hay algún período, lugar o cultura…

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Risk

9 de Maio de 2017, 12:59, por O LADO ESCURO DA LUA

Treasure and Bliss

5/9/2017 “Of course I’ll hurt you. Of course you’ll hurt me. Of course we will hurt each other. But this is the very condition of existence. To become spring, means accepting the risk of winter. To become presence, means accepting the risk of absence.” – Antoine de Saint-Exupéry Photographer Unknown

via Risk — Eyes + Words

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Sunday Brunch Tuesday | Reuben Woolley

9 de Maio de 2017, 12:58, por O LADO ESCURO DA LUA

Meta / Phor(e) / Play

sewing the bright spaces


Reuben Woolley


stitching up the holes

		                       like

black 
windows where 
the light

leaks 
	       out

see the craters 
the fat 
drops of rain 
in dry dust

		                  spaces 
looking for me

to hollow out this 
white 
skull

tat         tat         tat

                                 "spaces
looking for me"
Michael Dickel
Digital landscape from photos
©2017

these liquid hills


Reuben Woolley


drowning

in my solid earth

		           & how
these mountains grow

listen to grave
rumour
	            they talk
to me now & in
my dying

	            deep
in all their roots

		    pull
me down / they're waiting

patient

like stones always do

“these liquid hills”—
Amalfi Coast Overlay
Michael Dickel
Digital landscape from photos
©2017

a fully moon after all these years


Reuben Woolley


holding myself / still / i am dust floating in torch light.i am tree cutting a sky & rain falls newly just ask for no answer & here’s a lost song.unplay me…

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The Psychology Of Forgiveness

9 de Maio de 2017, 12:57, por O LADO ESCURO DA LUA

Hindsight Bias

I have a norm that helps me evaluate a decision to forgive a wrong or not. Perhaps this is partly because I believe in limited free will in the context that not every of one’s actions is architected by him. I find it quite logically persuasive.

I invite you to a thought experiment. Imagine we have a machine that makes bananas and its performance is dependant on two generalizations: the system and the operator. Our task is to evaluate which errors we can blame on the operator and which ones on the machine. How best can we do this?

Firstly, if the machine frequently produces apples instead of bananas then we have reason to believe that there is something wrong with the machine itself. The reason is that, unlike a machine, an operator’s errors do not appear in patterns or that frequently. This is the equivalence of Systematic Error in…

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